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May 272011

  • adventures into his life that he seems more myth than man. After running away to join the rodeo at the age of fifteen, he traveled and sang with Woody Guthrie and became friend and mentor to Bob Dylan. His music helped ignite a folk revolution in thei’60s and has influenced some of the most popular musicians and performers of our day. Jack’s daughter Aiyana had originally wanted to docu

BALLAD OF RAMBLIN JACK – DVD MovieRamblin’ Jack Elliott has been many things in the course of a life now nearing the end of its seventh decade: trucker, sailor, cowboy, storyteller, ladies man, eccentric, iconoclast, and a folksinger-guitarist who’s considered the link between Woody Guthrie and Bob Dylan. What he hasn’t been is much of a father, and that becomes the poignant focus of this documentary directed, written, coproduced, and narrated by his daughter, Aiyana. The film includes plenty of material (home movies, performance footage both old and new, interviews with friends, family, and Elliott himself, etc.) about Elliott’s life, and a remarkable life it’s been.

Born Elliot Charles Adnopoz in 1931, son of a Jewish doctor from Brooklyn, he left home to become a cowboy, eventually becoming Guthrie’s protégé and a minor legend in his own right who was well-known in England in the ’50s and on the scene during the early ’60s folk boom in New York. His own irresponsibility and lack of ambition and focus kept him from being a bigger name, and those are the same flaws that have afflicted his relationship with his daughter. “I can’t remember having an actual conversation with my dad,” Aiyana says, and by the end of the film that still seems to be the case. In what may be the most telling moment here, she asks her mother (one of Elliott’s four wives) if Ramblin’ Jack “had any talents as a father.” What follows is a long, bemused pause… and no response at all. A fascinating document, but not one that you’d call uplifting. –Sam Graham

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  • Condition: New
  • Format: Blu-ray
  • AC-3; Closed-captioned; Color; Dolby; DTS Surround Sound; Dubbed; Subtitled; Widescreen

“How come nobody’s ever tried to be a superhero?” When Dave Lizewski – ordinary New York teenager and rabid comic-book geek – dons a green-and-yellow Internet-bought wetsuit to become the no-nonsense vigilante Kick-Ass, he soon finds an answer to his own question: because it hurts. But, over coming all the odds, the eager yet inexperienced Dave quickly becomes a phenomenon, capturing the imagination of the public. However, he’s not the only superhero out there – the fearless and highly trained father-daughter crime-fighting duo, Big Daddy and Hit-Girl, have been slowly but surely taking down the criminal empire of local mafioso Frank D’Amico. And, as Kick-Ass gets drawn into their no-holds-barred world of bullets and bloodletting with Frank’s son Chris, now reborn as Kick-Ass’s arch-nemesis Red Mist, the stage is set for a final showdown between the forces of good and evil, in which the DIY hero will have to live up to his name. Or die trying…The cinematic equivalent of a half case of Red Bull chased with donuts, Kick-Ass is a giddy, violent experience–and not your average superhero movie. Based on the comic book by Mark Millar and John Romita Jr., it offers a set of heroes who are decidedly without superpowers: Dave Lizewski (Aaron Johnson) decides he’ll be just like a comic-book character, and puts on a ridiculous green suit to fight crime as the mysterious Kick-Ass. Luckily, somebody else had the same idea and comes along to rescue the incompetent crusader: Big Daddy (Nicolas Cage) and his daughter Hit Girl (Chloe Moretz), who also happen to be running around town wearing masks and vanquishing evil. And here we have the movie’s masterstroke: Hit Girl, a pint-sized preteen who slaughters bad guys and swears like a sailor on leave (and was the focus of a measure of controversy when the movie was released). The main target of our heroes is a gangster (Mark Strong, Sherlock Holmes), whose neglected son (Christopher Mintz-Plasse, McLovin from Superbad) figures he might just pull on a costume himself and become… Red Mist! (One of the many funny things about Kick-Ass is that the superhero names are hopelessly lame.) Director Matthew Vaughn is operating at the same glib level as his Layer Cake, with cutesy song cues galore and a freewheeling appetite for cartoon violence. This means the movie’s high wears off quickly, but it does get high–a crazy, hilarious (and by the way: decidedly R-rated) kick. All that, plus Nicolas Cage executes a deadly Adam West imitation when he pulls on his cape and cowl. That’s entertainment. –Robert Horton

Stills from Kick-Ass (Click for larger image)

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